NOAH S. THOMPSON
  • Arcadia
    • Prophecies (2020)
    • Memories (2018-2019)
    • Odysseys (Ongoing)
      • Statement & Index
      • 390-86-81-476-76
      • 34-5-84-205
      • 101 N-20
      • 20-101 N
      • NE 193-50-895-95-76
  • Cyanotype
    • Garden of Chaos and Mystic Truths (2020)
      • Statement
      • Mirages
      • Passages
      • Shades
    • Microcosmic (2016-2017)
    • Artifacts In the Waters of Time (2017)
    • The Polari Gang/The Code (2016)
    • Feeling Blue (2016)
  • General Projects
    • ABCs of Romanticism (2020)
    • Incorporeality (2018-2020)
    • Polaroid (2017-2020)
    • Cities of Ash (2018-2019)
    • Analog (2017-2019)
    • Phantom Space (2017-2018)
      • Flux Space (2017-2018)
      • The Carlisle Dairy (2018)
      • Eastern State Penitentiary (2018)
    • Pinhole (2017)
  • About
  • CV
  • Arcadia
    • Prophecies (2020)
    • Memories (2018-2019)
    • Odysseys (Ongoing)
      • Statement & Index
      • 390-86-81-476-76
      • 34-5-84-205
      • 101 N-20
      • 20-101 N
      • NE 193-50-895-95-76
  • Cyanotype
    • Garden of Chaos and Mystic Truths (2020)
      • Statement
      • Mirages
      • Passages
      • Shades
    • Microcosmic (2016-2017)
    • Artifacts In the Waters of Time (2017)
    • The Polari Gang/The Code (2016)
    • Feeling Blue (2016)
  • General Projects
    • ABCs of Romanticism (2020)
    • Incorporeality (2018-2020)
    • Polaroid (2017-2020)
    • Cities of Ash (2018-2019)
    • Analog (2017-2019)
    • Phantom Space (2017-2018)
      • Flux Space (2017-2018)
      • The Carlisle Dairy (2018)
      • Eastern State Penitentiary (2018)
    • Pinhole (2017)
  • About
  • CV
During the spring semester of my senior year I conducted an independent study of "Advanced Studies in Alternative Photography" in which I explored multiple processes including Polaroid, cyanotype, and pinhole photography. The work below represents the culmination of my experiments with pinhole cameras through negative and positive papers. Part of what made this work engaging was the ways in which I had to think about photography, especially for the images that took anywhere from 15 seconds to several hours, some were even left out overnight. It was a good way for me to reach back to older forms of photography and better understand all the work that can go into creating a single image.
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  • Arcadia
    • Prophecies (2020)
    • Memories (2018-2019)
    • Odysseys (Ongoing)
      • Statement & Index
      • 390-86-81-476-76
      • 34-5-84-205
      • 101 N-20
      • 20-101 N
      • NE 193-50-895-95-76
  • Cyanotype
    • Garden of Chaos and Mystic Truths (2020)
      • Statement
      • Mirages
      • Passages
      • Shades
    • Microcosmic (2016-2017)
    • Artifacts In the Waters of Time (2017)
    • The Polari Gang/The Code (2016)
    • Feeling Blue (2016)
  • General Projects
    • ABCs of Romanticism (2020)
    • Incorporeality (2018-2020)
    • Polaroid (2017-2020)
    • Cities of Ash (2018-2019)
    • Analog (2017-2019)
    • Phantom Space (2017-2018)
      • Flux Space (2017-2018)
      • The Carlisle Dairy (2018)
      • Eastern State Penitentiary (2018)
    • Pinhole (2017)
  • About
  • CV